Be Bop Bassoon Now on the ZahZah label. ZZCD 9820 From www.ejazznews.com Media Alert: Daniel Smith/Bebop Bassoon/ZZCD9820 (St. Date June 1, 2006) A profound work of jazz for a very difficult symphony oriented wind instrument, The Bassoon……I will confess this is my 1’st experience at hearing the bassoon as a prime solo jazz instrument, & I am left with a deep sense of respect on behalf of bassoon master Dan Smith at his being able to bring this reed into the realm of jazz. To say that Smith is imaginative, deliberate, adventurous, & open minded is to understate my case. This is a study in melodic creation, arresting originality, warmth, & buttered tone from an artist with an instrument & the guts to explore the unknown. George W. Carroll/The Musicians’ Ombudsman DANIEL SMITH A musical pioneer of the bassoon with his many award-winning recordings and live performances throughout the world.The world's most recorded bassoon soloist with a repertoire ranging from baroque concerti to contemporary music, including jazz, ragtime and crossover. He is the only bassoonist performing and recording in both the classical and jazz fields. His unique career has been profiled in Gramophone, the New York Times, Fanfare, Classical Music, Musical Heritage Review, Music And Musicians, American Record Guide, Classic CD and leading British newspapers including The Times. His solo performances include classical recitals, jazz concerts with his quartet, concertos with orchestra and highly popular programmes divided between classical and jazz, with music that ranges from Vivaldi, Elgar, Mozart and Verdi to Duke Ellington, John Coltrane, Charlie Parker and Dizzy Gillespie. Described as the ‘Rampal of the bassoon’ and ‘a phenomenon’, he brings his unique sound and style to concert series, festivals and jazz clubs. His historic and unprecedented recording for ASV of the entire 37 Vivaldi bassoon concertos was chosen as ‘Best Concerto Recording Of The Year‘ by the Music Industry Association and awarded the Penguin Guide’s coveted * * * rosette rating as well as inclusion in Fanfare’s annual ‘Want List’. These concertos, recorded with the English Chamber Orchestra and I Solisti di Zagreb, firmly established Daniel Smith as a leading soloist on his instrument. His recordings with the Royal Philharmonic Orchestra and the Caravaggio Ensemble for the ASV White Line label produced innovative crossover music, with unique renditions of ragtime pieces, opera excerpts, and popular standards. In Britain, the BBC's Radio 3 used one of his recordings as their signature tune for several months to begin their broadcast day. Recent recordings made with his acclaimed jazz quartet ‘Bassoon and Beyond’ - ‘Be Bop Bassoon’ and ‘Mozart’s Blues’ - have brought the bassoon into the world of jazz. Other recordings of his are available on Vox, MHS, KemDisc, Pearl, Spectrum, Cambria, Guild/Zah Zah, Regis and Aegis. His performances have included many firsts: the U.S. West Coast premiere of Pulitzer Prize-winning composer Gunther Schuller's ‘Concerto for Contrabassoon & Orchestra’; the world premiere of Steve Gray's ‘Jazz Suite For Bassoon’ with the Welsh Chamber Orchestra; solo concerts at New York’s Lincoln Center and the Tivoli Concert Hall in Copenhagen and engagements at London’s famous ‘Pizza On the Park’ with his jazz quartet. Other appearances include those at Carnegie Recital Hall (two appearances) and, in London, St. John's (Smith Square), the Wigmore Hall (three appearances) and the BBC Concert Hall. His many recordings are heard throughout the world on classical and jazz radio, National Public Radio in the USA, major airlines for in-flight listening and featured with leading book and record clubs. BEBOP BASSOON THE MUSICIANS REVIEWS